records reviews

 

 

yeo-neun (shelter press, 2020)

 

pitchfork review by jonathan williger

exclaim! review by tom piekarski

the line of best fit review by maldika pavin

tone glow review

 

air around her (1703 Skivbolaget, 2018)

 

boomkat review

by kate molleson for scottish herals

 

speckeled stones and green dissonant dots (notice recordings, 2018)

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by micahel schell for sequenza 21

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cheol-kkot-sae (steel.flower.bird) (tzadik, 2018)

 

by martin schray for the free jazz collective

by peter margasak for downbeat

by tj norris for toneshift

xavier kruth for dark entries (in flemish)

by lutz vössing for skug magazin (in german)

by gilberto ongaro for musicmap (in italian)

 

dahl-tah-ghi (pica disk, 2018)

 

by stef for the free jazz collective

by bill meyer for dusted magazine

by jckmd for noise not music

 

 

amalgam by okkyung lee & christian marclay (northern spy records, 2016)

 

by seth colter walls for pitchfork

by connor lockie for slug magazine

by bill meyer for dusted magazine

by donovan burtan for positively underground

by we need no swords

 

live at cafe oto by okkyung lee & bill orcutt (otoroku, 2016)

 

by david menestres for free jazz blog

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wake up awesome (mexican summer/sstudio, 2013)

 

by matthew phillips for tiny mix tapes

by marc masters for pitchfork

by boomkat

 

 

ghil (ideological organ/editions mego, 2013)

 

by joseph burnett for the quietus

by marc masters for pitchfork

by ben ratliff at new york times

 

 

white cable, black wires (fataka, 2013)

 

by john eyles for all about jazz

by dalston sound

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noisy love songs (for george dyer) (tzadik, 2011)

 

by nick of forest gospel for  amour & discipline

by tina karolina stauner for culturmag (in german)

by holy filament (in spanish)